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What 800 Million People See in Virtue-Based AI (That Silicon Valley Missed)

New Delhi [India] : Shekhar Natarajan, Founder and CEO of Orchestro.AI, explains the impact of AI that could change narratives in this opinion piece.

The question isn’t why Angelic Intelligence went viral. The question is why nothing else did—and what that absence reveals about the gap between how the AI industry talks about its work and how the public actually experiences it.

For a decade, the AI discourse has been dominated by two narratives. The utopian version: AI will solve climate change, cure diseases, extend human capability beyond current imagination. The dystopian version: AI will destroy jobs, concentrate power, potentially threaten human existence itself. Both narratives are dramatic. Both are extensively funded. Neither proved particularly shareable.

The utopian narrative accumulated approximately 50 million combined views across major platforms over the past five years. The dystopian narrative, driven by high-profile figures warning about existential risk, managed roughly 120 million. Angelic Intelligence—unfunded, grassroots, starting from zero—reached 800 million in eighteen months.

 People weren’t scared of AI being too powerful. They were scared of AI being too soulless. 

The disparity suggests the dominant narratives were answering questions the public wasn’t asking. The promise of future benefits didn’t address present anxiety. The warnings about catastrophic risk didn’t provide agency or alternatives. Both positioned the public as spectators to a drama they couldn’t influence.

Angelic Intelligence offered something different: a constructive alternative. Not warnings about what might go wrong, but a framework for what could go right. Not limitations on capability, but redirection of purpose. Not fear, but possibility.

“Every other AI philosophy positioned the public as potential victims or potential beneficiaries—passive either way. This one positioned them as participants in a choice about what kind of AI we build. That’s psychologically completely different. It’s the difference between watching a storm and choosing which direction to walk.” — a cognitive psychologist specializing in technology adoption, speaking on background

The psychological appeal is rooted in fundamental human needs. When confronted with inevitable change, people prefer agency to helplessness. They prefer construction to destruction. They prefer hope that requires participation over optimism that requires only waiting. The dominant AI narratives offered acceptance or resistance. Angelic Intelligence offered participation.

 Silicon Valley’s AI needed guardrails because it was designed to run wild. We designed ours to run wise. 

The framework’s terminology proved unexpectedly powerful in driving resonance. ‘Angels’ evoked protection rather than threat—a stark contrast to the language of ‘superintelligence’ and ‘existential risk’ that dominates safety discourse. ‘Virtue-native’ suggested inherent goodness rather than imposed constraint. ‘Digital conscience’ implied AI that could be trusted, not merely tolerated or controlled.

Linguists who study technology adoption note that framing shapes acceptance. Systems described in threatening terms provoke resistance. Systems described in protective terms invite engagement. The linguistic choices in Angelic Intelligence weren’t accidental—they emerged from deep consideration of how ideas spread and why.

“The language is doing real work here. When you call something an ‘angel,’ you’re invoking thousands of years of cultural meaning around protection, guidance, and benevolent power. When you call something a ‘superintelligence,’ you’re invoking science fiction about threats. Same capability, completely different emotional response.” — a computational linguist who has studied the framework’s spread

The resonance was particularly strong among demographics usually absent from AI conversations. Parents concerned about their children’s digital futures found in the framework a vision of technology that might protect rather than exploit—relevant when 96% of apps marketed to children contain manipulative design patterns, when AI-generated CSAM has increased 400% in two years, when deepfake pornography targeting teenage girls has become a crisis in schools across America and Europe. Workers whose jobs algorithms had already transformed heard in it an acknowledgment of their experience and a promise of something better. Communities whose data had been extracted without visible benefit saw in it recognition that they deserved to be served, not merely processed.

These aren’t the audiences that attend AI conferences or read technical papers. They don’t follow AI researchers on Twitter or understand the nuances of transformer architectures. But they are the audiences who will ultimately determine AI’s social license to operate—and their embrace of Angelic Intelligence suggests they’ve been waiting for someone to speak to their actual concerns.

“We thought the public didn’t care about AI ethics. We were wrong. They cared deeply. They just needed something they could believe in—not a warning, not a promise, but a vision they could participate in building.” — a technology ethicist who has studied public attitudes toward AI

 800 million people found what they were looking for: proof that technology could be built with love. 

The question Silicon Valley must now answer is whether this represents a market opportunity to be captured or an existential challenge to fundamental assumptions about what AI should be. The response so far has been muted—public acknowledgment is rare, though private discussion is reportedly intense. The numbers are too large to ignore, but the implications may be too threatening to accept.

“The existential question isn’t whether AI will destroy humanity. It’s whether the AI we’re building serves humanity. Eight hundred million people just told us they’re not sure the current version does. That’s a harder problem than technical safety.” — a senior researcher at one of the major AI labs, speaking anonymously

The resonance continues to grow. As AI capabilities advance and public awareness deepens, the appetite for alternative frameworks intensifies. Angelic Intelligence arrived at the right moment with the right message. Whether the industry adapts or resists will shape what comes next.

 

The pulsating lanes of Mumbai have long been a canvas for stories
of ambition, power, and survival.
Adityam dives deep into this electric
cityscape, presenting a gripping narrative of two brothers shaped by opposing
worlds—one ruled by fear, the other guided by dreams.

Directed by Ravi Kant Singh, Adityam is an emotional crime
drama that explores the fragile threads of family, loyalty, and destiny.

From Iconic Ad Campaigns to Cinematic Brilliance

The project is helmed by a seasoned director whose impressive body
of work includes television ad films for leading global brands such as Cadbury,
Coca-Cola, and Adidas, among many others. Known for crafting visually
compelling and emotionally resonant campaigns, the director brings a wealth of
advertising expertise to the table. Complementing this vision, Suraj and
Kshitij have infused the project with melodious and evocative music, adding
depth and soul to the overall creative experience.

A Story of Two Paths

At the heart of Adityam are two brothers whose lives take
drastically different directions. The elder brother, portrayed by Imran Khan,
is a feared gangster who lives by one belief: power is survival. In the
ruthless underbelly of the city, he commands respect and instills fear.

In stark contrast stands the younger brother, played by Ravi Kant
Singh, a struggling musician chasing dreams through melody and meaning. For
him, music is freedom—a way out of darkness and into hope.

When the elder brother demands that the younger abandon his
musical aspirations to join the criminal empire, refusal comes at a heavy cost.
Cast out from home, the younger brother must carve his own path in a city that
rarely forgives weakness.

Love, Loss, and a Turning Point

Alone but determined, the younger brother begins performing at
small shows, slowly finding his rhythm. Along the way, he meets a woman who
becomes both his anchor and his love, portrayed by Siara Arora. Through her
unwavering support, he begins to rebuild his life and rediscover hope.

But just as his world begins to stabilize, tragedy strikes—the
elder brother is gone.

Grief quickly transforms into rage. Drawn back into the shadows of
the underworld, the younger brother steps into the very empire he once
rejected. What follows is a gripping descent into violence, vengeance, and
moral conflict.

A Climax That Redefines Fate

As bullets replace ballads and power overshadows passion, a
shocking truth emerges in the film’s climax. The revelation forces the younger
brother to confront a haunting question: Will he become the very man he once
despised, or will he break the cycle and redefine his destiny?

Adityam promises intense performances
from its ensemble cast, including Arif, Subigya, and Ritu, adding depth and
dimension to this layered narrative.

Mark Your Calendars

The teaser for Adityam is set to release on 14th March,
building anticipation for what promises to be a powerful cinematic journey of
love, loss, revenge, and redemption.

Blending the raw energy of the underworld with the soul of music, Adityam
is poised to strike an emotional chord with audiences—reminding us that
sometimes, the hardest battles are not fought on the streets, but within.

 

Pune:
Bagelstein, France’s bagel pioneer founded in 2011, has strengthened its
presence in India with the opening of its 5th store at Phoenix Marketcity,
Viman nagar Pune. Marking another milestone in the brand’s India journey, the
outlet also stands out as Bagelstein’s pure vegetarian restaurant format in the
country, aligning with the evolving lifestyle preferences of Indian consumers.

With Pune emerging as one of India’s most
vibrant lifestyle and food destinations, the city continues to attract young
professionals, students, entrepreneurs, and global workforces who are
constantly exploring international cuisines and convenient gourmet dining
formats. Phoenix Marketcity, one of Pune’s most premium retail and
entertainment hubs, offers the ideal ecosystem of high footfall, aspirational
consumers, and experiential dining — making it a strategic location for
Bagelstein’s next phase of expansion.

The increasing popularity of bagels in India
reflects evolving consumer preferences, where quick-service formats meet quality,
freshness, and indulgence. Bagelstein’s menu caters to this shift with
oven-fresh handcrafted vegetarian bagels, premium fillings, stacked sandwiches,
flavourful spreads, artisanal coffees, refreshing beverages, and indulgent
desserts. True to its European roots, the brand blends authenticity with
creativity while delivering a casual yet premium café experience.

Commenting on the expansion, Gaurav Marya,
Founder and Chairman, Franchise India, said, “Global food brands today are
increasingly looking at franchising as the most efficient and scalable route to
enter and expand in fast-growing markets like India. The country’s strong
consumption story, young demographics, and appetite for international flavours
make it a compelling destination for global QSR and café brands. Bagelstein
consistent expansion reflects how structured franchising enables faster market
penetration while maintaining brand consistency and operational excellence.”

Sharing his perspective on the Pune growth
story, Sapna Poddar & Mohit Singhal, Area Developer, Bagelstein –  (Pune, Maharsahtra and Goa) the brand’s India
leadership added, “Pune has rapidly evolved into a high-energy market for
premium yet accessible dining. The audience here appreciates global tastes,
quality ingredients, and differentiated café formats. Introducing a pure
vegetarian Bagelstein experience allows us to stay culturally relevant while
maintaining the brand’s international character. Phoenix Marketcity provides us
the perfect platform to connect with a wide community of food lovers.”

With the opening of its fifth store in Pune,
Bagelstein continues to deepen its footprint in India’s fast-evolving food
service landscape. The brand’s steady expansion reflects rising consumer demand
for global café concepts and highlights Pune’s emergence as a key growth engine
for international food brands. As Bagelstein accelerates its journey across
metro markets, it remains focused on delivering distinctive flavours,
consistent quality, and a vibrant dining experience to India’s growing
community of urban food enthusiasts.

 

 

On the occasion of World Radio Day (13 February 2026), Mobius Films and Rajil Sayani proudly announce Behno Aur Bhaiyo a definitive, soulful and nostalgia-rich feature-length docu-biopic on the legendary radio icon, Ameen Sayani. The announcement comes days before his death anniversary on 20th February, marking a deeply emotional and historic tribute.

Directed by National Award-winning filmmaker Brahmanand S Singh and co-directed by Tanvi Jain, the film traces the extraordinary journey of a voice that united India for over five decades — week after week, generation after generation.

 A Tribute to the Voice That Shaped India’s Musical Memory

Behno Aur Bhaiyo will blend rare family archives, unseen photographs, handwritten scripts and exclusive audio recordings, along with in-depth conversations with some of India’s most celebrated musicians, actors, radio stalwarts and media personalities.

The film promises to be a deeply nostalgic, culturally significant and emotionally resonant tribute to the man whose warmth, tone and signature greeting became an inseparable part of millions of Indian homes.

Beyond the life of Ameen Sayani, the film will also capture the evolution of Indian broadcasting, the golden era of music programming and the cultural shifts that shaped India’s listening habits across generations.

The filmmakers are in conversation with and expect reflections from an illustrious line-up of personalities, including:

Amitabh Bachchan,

Asha Bhosle,

Javed Akhtar,

Jaya Bachchan,

Mahesh Bhatt,

Raju Hirani,

Ramesh Sippy,

Shatrughan Sinha,

Sunil Gavaskar,

Virender Sehwag,

Varun Dhawan

…along with several other eminent names from the worlds of cinema, music, media and broadcasting.

The film is a collaboration between Mobius Films and Rajil Sayani, ensuring exceptional access to personal archives and invaluable memorabilia that chronicle the life and legacy of Ameen Sayani.

Speaking on the announcement, directors Brahmanand S. Singh and Tanvi Jain said:

 “Ameen Sayani is a national memory. This film is a journey through memory, melody and magic. It is our love letter to the man whose voice united India week after week, year after year.

The 6th Continental International Awards, along with the 8th Iconic Mr. India 2026, curated by Aditya Khurana, unfolded as a grand celebration of excellence, creativity, and influence across Indian television, digital media, and the entertainment industry. The prestigious evening brought together industry veterans, celebrated performers, emerging talents, and influential media voices, further cementing the platform’s reputation as a benchmark of recognition and credibility.

The star-studded awards night honoured an illustrious lineup including Rajan Shahi, Ishika Shahi, Rupali Ganguly, Rohit Purohit, Samridhii Shukla, Adrija Roy, Shivam Khajuria, Romesh Kalra, Rishi Mandial, Kanwar Dhillon, Neha Harsora, Shivangi Joshi, Akanksha Puri, Rrahul Sudhir, Shivangi Verma, Entertainment Editor Rekha Khan, and Barkha Bisht, among several others.

Rajan Shahi emerged as one of the most celebrated winners of the evening, receiving Best Producer of Indian Television for his iconic shows Yeh Rishta Kya Kehlata Hai and Anupama. YRKKH was honoured as the Longest Running Television Show, while Anupama won Most Popular Television Show. Ishika Shahi was recognised as Most Promising Digital Creator, acknowledging her growing impact in the digital space.

Among the acting honours, Rupali Ganguly took home the award for Most Popular Actress of Indian Television, while Kanwar Dhillon was named Most Popular Actor of Indian Television. Shivam Khajuria and Adrija Roy won Best Actor and Best Actress of Indian Television respectively. Rising stars Rohit Purohit and Samridhii Shukla were honoured as Most Promising Actor and Most Promising Actress of Indian Television, while Shivangi Verma received Most Promising Actress – OTT for her performance in Yeh Hai Sanak.

The evening also featured several special accolades that added further distinction to the ceremony. Shagun Sharma won Best Actress – Critics’ Choice, Akanksha Puri was crowned Fitness & Style Icon, Tina Dutta received Best Breakthrough Performer (Female), and Rrahul Sudhir won Best Breakthrough Performer (Male). Annkit Bhatia and Barkha Bisht were honoured as Best Actor – Negative (Male & Female), while Neha Harsora was recognised as Versatile Actress of Indian Television. Celebrated journalist Rekha Khan received the award for Most Innovative Entertainment Editor, acknowledging her impactful contribution to entertainment journalism.

Adding glamour and gravitas to the evening, the guest list featured notable personalities such as Neelu Kohli, Shivani Gosain, Diandra Soares, Poonam Pandey, Arshi Khan, Shagun Sharma, Harsh Nagar, Sneha Jain, Parakh Madan, Rupesh Sonar, Chaitali Kohli, Kashyata Bhatia, Singer Parleen Gill with wife and Aditya Deshmukh.

The 8th Iconic Mr. India 2026 segment of the event celebrated excellence and individuality across categories. Moha Kiran was crowned Man of the World India 2026, Awaab Khan received the title of Man of the Year India 2026, and Nandan Pavaskar was honoured as Mister Universe India 2026. Sai Bhavadesh won Mister Culture World India 2026, Sanjib Singh was named Great Man of Universe India 2026, while Pushpendra Dewasi took home the title of Teen Universe India 2026.

With seamless execution and powerful recognition of talent across platforms, the event once again reinforced Aditya Khurana’s vision of celebrating excellence and shaping the future of entertainment awards in India.

New Delhi [India], February 10 : As India’s fashion market evolves toward refined minimalism and purpose-driven design, premium women’s western wear label DELAN has introduced a new brand narrative titled “Suns and Shadows,” reflecting the growing appetite for understated elegance, versatility, and modern sophistication among urban consumers.

The title “Suns and Shadows” feels expansive and cinematic, hinting at contrast, depth, and movement. It evokes a collection shaped by many moments bright, unapologetic highs and quieter, introspective lows. The name captures duality: light versus dark, softness versus strength, stillness versus drama. It works beautifully for pieces that play with multiple colours, varied textures, and bold statements, allowing each garment to exist in its own mood while remaining part of a cohesive story.

The concept marks a strategic creative shift for DELAN, offering a more cinematic and expressive visual language while remaining anchored in the brand’s core philosophy of quiet luxury fashion that prioritises craftsmanship, comfort, and timeless appeal over fast-moving trends. “Suns and Shadows” feels fluid rather than rigid, like a journey through changing light across time, immersive, poetic, and editorial in its tone.

The collection explores contrast as a storytelling device light and depth, softness and structure mirroring the everyday realities of contemporary women navigating professional and personal spaces. The shoot demonstrates how premium western wear can feel elevated through refined silhouettes, premium fabrics, and subtle detailing, rather than overt embellishment.

Founded by Vikas Kumar Sardana, Founder and Creative Director, DELAN draws on more than two decades of experience across apparel manufacturing and retail. Beginning his career in surplus and retail apparel in 2008, Sardana gained deep operational insight into fabric quality, consumer behaviour, fit engineering, and durability insights that later shaped DELAN’s design-first approach.

Launched in 2022, the brand was conceived to address a visible gap in India’s premium western wear space: clothing that blends elegance with real-world wearability. From breathable fabrics and structured tailoring to versatile colour palettes, DELAN positions itself for women seeking wardrobe longevity rather than seasonal novelty.

‘Suns and Shadows’ represents the rhythm of everyday life strong moments, softer transitions, and everything in between,” Sardana notes. “Our designs are created for real environments workdays, meetings, social gatherings not just curated photoshoots. This campaign brings that reality into a modern, visual narrative.”

The brand’s strategy aligns with a broader shift in India’s premium apparel sector. With consumers increasingly quality-conscious, investment dressing focused on comfort, durability, and multi-use styling is gaining momentum over trend-driven fashion cycles. Working professionals, in particular, are prioritising adaptable western wear that seamlessly transitions from daytime formal to evening casual.

Industry observers note that minimalist aesthetics, premium fabric experiences, and functional design have emerged as decisive purchase drivers, signalling a maturing fashion market that values craftsmanship alongside visual appeal.

Through “Suns and Shadows,” DELAN reinforces its product-centric positioning, highlighting precision fit, thoughtful construction, and fabric excellence while introducing a contemporary creative identity that reflects confidence, depth, and modern femininity.

As India’s premium western wear segment continues to expand, brands rooted in quality-led design and lifestyle relevance are increasingly shaping the next phase of fashion consumption. DELAN’s latest narrative signals a commitment to building enduring wardrobes, not fleeting trends, for the evolving Indian woman.


Noida, February 2026 : Bollywood superstar Parineeti Chopra graced the
launch of Bhima Jewellery’s new showroom in Noida, marking the brand’s growing
presence across India. The event welcomed both Bhima’s customers and guests to
celebrate the opening of a new venue of cinematic glamour combined with a
century of craftsmanship and reliability.

Parineeti’s presence adds excitement and star power
to Bhima’s launch as they complete their 100-year anniversary of providing
high-quality jewellery through their commitment to purity, honesty, fair
business practices, and timelessness. The launch reaffirms Bhima jewellery’s
rich heritage and connection to today’s consumers while remaining true to their
commitment to providing high-quality jewellery and services.

The showroom is located at P17, Sector 18, Noida. It
has an extensive selection of 22-carat gold jewellery; all products are 100%
certified by the Bureau of Indian Standards (BIS); Bhima offers transparent
pricing, and the state-of-the-art retail experience provides a unique opportunity
for buyers to appreciate the craftsmanship and history of Bhima jewellery in
combination with today’s needs.

Speaking at the launch, Parineeti Chopra said, “Jewellery is
deeply connected to personal milestones and memories, and Bhima Jewellery
understands that beautifully. Their focus on trust, purity, and thoughtful
design is what makes the brand truly special, even today.”

Dr. B. Govindan, Chairman, Bhima Jewellery, shared, “Opening
the Noida showroom is not just about adding a new store, but about becoming a
part of the city and its people. As we complete 100 years of our journey, our
focus remains on offering jewellery customers can trust, with honest pricing,
quality craftsmanship, and a comfortable shopping experience.”

Mr. Sudhir Kapoor, Managing Partner, Bhima Jewellery, added, “As
Bhima completes 100 years, our focus remains on building a future-ready retail
business while staying true to the values that have earned customer trust for
generations. The Noida launch is a strategic step in our pan-India expansion,
allowing us to connect with a growing base of discerning consumers.”

The launch event saw guests enjoying personalised walkthroughs,
curated jewellery displays, media interactions, and celebratory moments with
Parineeti Chopra and the Bhima Jewellery leadership team, marking the brand’s
entry into Noida in a memorable way.

As Bhima Jewellery enters its centenary phase, the
brand continues to focus on design innovation, omnichannel retail, responsible
expansion, and geographic growth, while maintaining the rigorous quality and
purity standards that have defined it for generations.

About Bhima Jewellery
Founded in 1925, Bhima Jewellery is one of
India’s most trusted jewellery brands, known for its uncompromising standards
of purity, ethical business practices, and excellence in craftsmanship. Today,
the brand operates a strong retail network across India and the UAE, offering
gold, diamond, platinum, and silver jewellery across bridal, festive, everyday,
and contemporary collections, seamlessly blending heritage with modern retail
innovation.

For more information, contact:

Heeta Raina | Kannika Shembekar

9682170988 | 8446650899

heeta@moshimoshi.in | kannika@moshimoshi.in

Website: https://www.thebhimajewellery.com/

Mumbai: Bollywood star Akshay Kumar is set to return to cinemas with a bang as his much-anticipated horror-comedy Bhoot Bangla has officially advanced its theatrical release date. Originally scheduled to hit screens on May 15, 2026, the film will now arrive a month earlier on April 10, 2026, much to the delight of fans and trade analysts alike.

The decision to prepone the release is being viewed as a well-calculated strategic move by the makers to secure a stronger theatrical window and capitalize on heightened audience interest. With fewer competing releases expected during the period, Bhoot Bangla is poised to enjoy better visibility and box-office traction upon its release.

Directed by veteran filmmaker Priyadarshan, the film marks another exciting collaboration that promises to bring Akshay Kumar back in his much-loved entertainer avatar. Known for his impeccable comic timing and mass appeal, the actor is expected to strike a fine balance between humor, suspense, and mystery—elements that define the horror-comedy genre.

Adding considerable strength to the project is its impressive ensemble cast, featuring Wamiqa Gabbi, Paresh Rawal, Tabu, and Rajpal Yadav. The presence of seasoned performers alongside emerging talent has further heightened expectations, with audiences anticipating a rich blend of performance-driven comedy and engaging storytelling.

Bhoot Bangla is presented by Balaji Motion Pictures, a division of Balaji Telefilms Ltd., in association with Cape of Good Films. The collaboration between these established production banners signals a project mounted on a strong creative and commercial foundation.

Industry insiders believe the film’s genre, combined with Akshay Kumar’s star power and Priyadarshan’s directorial expertise, positions Bhoot Bangla as a potential crowd-puller across urban and mass circuits. Horror-comedies have historically performed well at the Indian box office, especially when backed by recognizable faces and engaging narratives.

As anticipation builds, Bhoot Bangla is shaping up to deliver a perfect mix of laughter and chills, offering audiences a wholesome theatrical experience. With its new release date locked in, all eyes are now on April 10, 2026, when the film is expected to create a significant buzz across cinema halls nationwide.

 


“Rajasthan “Government is Committed to Promote Art and Culture in the State – V Srinivas, Chief Secreatary

“AI is all about Prompt Engineering and Human Mimic its good as Archived text to Showcase but not Pro Innovative Ideas.” – Alok Sharma

Jaipur, February 7th, 2026 – The second day of Jaipur Pinkfest brought together art lovers, scholars, artists, creating a vibrant confluence of culture and intellect. The festival continued to showcase India’s rich artistic and literary heritage through various panel discussions, exhibitions, cultural walks, Poetry Recitation, Dialogs, Open Mic and live performances. Events like the Art & Design Exhibition, Literature Discussions, ‘Tana-Bana’ Cultural Walk,  ‘Picasso’ Exhibition, ‘Shringaar’ Live Stage Performances, and Poetry Recitations made the day an unforgettable experience for attendees. Event is supported by Ruvi Digital, Kalaneri Academy of Fine Arts, State Bank of India, FORTI, Indian Institute of Crafts and Design, IIS University, ARCH, Suresh Gyan Vihar University, JECRC University, etc.

The day began with a “AI, the Illusion of Revival and the Vanishing Voice session”, setting a serene tone an insightful panel discussion Experts deliberated on the advancements are redefining AI is the epoch of modern era. Panelists Alok Sharma emphasizing the AI is a Prompt Engineering and Human Mimic technology its our responsibility to narrate the information with verified. The session was attended by the Shri Prashant Mishra, Shri Nitish Bhushan (Author), Dr. Ruchi Dave, Prof (Dr.) Rajesh Dangoria and Dr. Jeetendra Sharma.” The session was moderated by Shri Anuj Ahuja.

A thought-provoking panel and book release of “Odissi Dance: Therapeutics Aesthetic Metaphysics”, a blend of Yoga, Music and Dance, Panelist attended by Shri V Srinivas, Chief Secretary, Government of Rajasthan, Padma Bhushan Pt. Vishva Mohan Bhatt, Dr. Archana Shrivastava, Prof. Maya Tak, Ms. Prerna Shrimali, Dr. Reela Hota (Author) and Moderated by Amit Kalla. Talking on the occasion,V Srinivas, Chief Secretary, Government of Rajasthan “I was deeply privileged to launch this book, Odissi Dance by Reela Hota, and was closely associated with the Book While Reela was writing it.Discovering Yoga and its essence through Rasa.” Padma Bhushan Pt. Vishva Mohan Bhatt Said, “I congratulate Reela ji on her Book launch “Odissi Dance”, expressing these emotions is a great art, and presenting them through different moods and sentiments is very important. Raag and dance, in themselves, create a form of art.”  

As evening descended, the mesmerizing live performance “Padnyas” by the  Aarohini Khatak Dance Academy enthralled the audience, followed by Dialogues by Sri Aurobindo Society. The day concluded with the soulful performance of ‘Shringar Rasa’ at the Pink Fest Heritage Culture Festival, offering an immersive journey through Jaipur’s rich heritage. More than two hundred corporate women took the stage with various dimensions of Shringar Rasa through dance, drama, and dialogue, which are deeply connected to Indian mythological traditions and the sixteen adornments of a woman’s life. This performance expresses not only a woman’s external beauty but also her inner radiance, devotion, compassion, and strength.

The program will feature various mythological and spiritual emotions staged as different forms of Shringar Rasa:

* Lakshmi Roop Shringar – Aradhana Paliwal

* Shiva-Parvati Grihastha Shringar Yoga –

Rajat Sharma as Shiva and

Raghu Shri Poddar as Parvati

* Radha Bhakti Shringar Rasa – Surabhi Baid

* Mahashakti Shringar Rasa – Smita Sangi and Deepika Rampuria

Looking Ahead: Day 3 at Jaipur Pinkfest

With two days of enriching discussions and performances, Jaipur Pinkfest continues to celebrate creativity and intellectual exchange. Day 3 promises an equally exciting lineup, featuring art exhibitions, theatrical and dance performances, book launches, and panel discussions on various Indian art forms, ensuring a captivating experience for Jaipur’s cultural enthusiasts.

Jaipur Pinkfest remains a testament to the city’s deep-rooted artistic heritage, fostering an environment where tradition meets contemporary thought, and where dialogue shapes the future of art and culture.

Jaipur: On the second day of India Stone Mart 2026, the Jaipur Architecture Festival 2026 was ceremoniously inaugurated at the Jaipur Exhibition & Convention Centre (JECC), Sitapura. Addressing the inaugural ceremony, the Chief Guest, Hon’ble Deputy Chief Minister Smt. Diya Kumari, described the festival as a platform that gives global recognition to Rajasthan’s architectural heritage, stone industry, and craft traditions. She said that whether it is the Ram Temple in Ayodhya, Akshardham, historical monuments, religious sites, or prestigious hotels and buildings across the world—if one observes closely, the stone used in most of them is from Rajasthan. It is a matter of immense pride for the state that the soil and stone of Rajasthan are visible across the globe.

The formal inauguration at the Mugdha Convention Hall began with the ceremonial lighting of the lamp. The occasion witnessed the presence of renowned architects from India and abroad, policymakers, industry representatives, and senior officials from institutional organizations on the dais.

While addressing the gathering, Deputy Chief Minister Diya Kumari said it was a matter of pride for her to honour such a large and distinguished group of architects on one platform. She expressed her gratitude to Laghu Udyog Bharati for inviting her to this grand event and thanked the organizers. Speaking about Shilpgram, she said that providing such a large platform and dedicated space to small artisans and handicraft craftsmen is a commendable initiative. It will not only give artisans, students, and youth an opportunity to learn, but will also open new avenues for exporters. She added that in the coming years, the event could take an even broader form and should be organized for a longer duration instead of being limited to four days. Emphasizing the vision of “Development as well as Heritage,” she stressed the need to integrate traditional architecture with modern architectural practices.

On the inauguration of the Jaipur Architecture Festival 2026, the Deputy Chief Minister said that this event is a significant opportunity for those associated with Rajasthan’s handicrafts, handloom, and marble industries. She noted that Rajasthan is the home of handicrafts, and such platforms are essential to further strengthen this sector, which still needs greater focus and development.

Referring to the Prime Minister’s mantra of “Development as well as Heritage,” she said that architectural designs and elements found in old historical buildings should be adopted in new constructions. She suggested that in the coming years, such festivals should be organized for up to ten days instead of being restricted to four days, so that more people can benefit from them.

She further said that Jaipur is globally known for architecture and is the world’s first planned city. Being associated with such a city, which holds a special place in global architecture, is a matter of pride. She added that not only in India but also in many historic and iconic buildings across the world, stone from Rajasthan has been used—an achievement that brings great pride to the state.

Diya Kumari also said that legends from the world of architecture are present at this festival, and getting the opportunity to honour them is a proud moment for her. Describing the exhibition as grand, she said that the large pavilions, impressive stalls, and models prepared by students are the key highlights of the event.

Dignitaries on the Dais

The following dignitaries were present on the stage during the inauguration:

Smt. Diya Kumari, Hon’ble Deputy Chief Minister, Rajasthan

Smt. Anju Singh, National Secretary, Laghu Udyog Bharati

Shri Mukul Rastogi, Chief Executive Officer, CEDOS

Shri Deepak Ajmera, Vice President, CEDOS

Architect Wu Jiang, President, Arcasia

Architect Tushar Sogani, Chairman, IIA Rajasthan & Curator, Jaipur Architecture Festival 2026

Architect Vilas Vasant

Also Present at the Event

Shri Prakash Chandra

Shri Naresh Parik, National Joint General Secretary, Laghu Udyog Bharati

Shri Hamir Singh Bhayal, MLA

Anju Singh Highlights Key Features of the Event

Smt. Anju Singh, National Secretary of Laghu Udyog Bharati, shared that India Stone Mart is being organized by Laghu Udyog Bharati in collaboration with CEDOS and RIICO. She said that several initiatives have been introduced for the first time this year, including the launch of a digital mobile app, a website translated into 26 languages, and various technology-driven facilities. She added that through the Jaipur Architecture Festival, the stone, architecture, and MSME sectors have received a common platform. She described Laghu Udyog Bharati as an organization that continuously works with the government for the empowerment of MSMEs and small industries.

All India Stone Architecture Awards 2025

On the occasion of the inauguration of Jaipur Architecture Festival 2026, the winners of the 12th All India Stone Architecture Awards 2025 were felicitated. A total of 80 entries were received across four categories. The award winners were selected by a distinguished jury.

Award Winners and Prize Money

Exterior Facings Category

Architect Pramod Jain

Project: Marwar International Center, Jodhpur, Rajasthan

Cash Prize: ₹1,00,000

Interior Designs Category (Joint Winners)

Architect Shweta Balasubramoni

Project: Anvaya Residence, Kothwalguda, Telangana

Cash Prize: ₹50,000

Architect Santosh Ramane

Project: Sawantanchya Wada, Kolhapur, Maharashtra

Cash Prize: ₹50,000

Landscaping Category (Joint Winners)

Architect Shraddha (Joshi) Chavan & Architect Ajinkya Chavan

Project: Built with the Unbuild – Chandratreya Farmhouse, Pune, Maharashtra

Cash Prize: ₹50,000

Architect Jaydatt Vishwanath Vaishnav & Architect Anal Kapadia Vaishnav

Project: Beyond the Greens – A Bio Diverse Landscape, Ahmedabad, Gujarat

Cash Prize: ₹50,000

Green Architecture Category (Joint Winners)

Architect Himanshu Patel

Project: Tribhuvana – An Architect’s Own Studio, Ahmedabad, Gujarat

Cash Prize: ₹50,000

Architect Lata Raman Jaigopal

Project: Stone Hedge, Leh, Jammu & Kashmir

Cash Prize: ₹50,000

Jaipur Architecture Festival 2026 is not merely a conference, but a national-level thought festival that brings architecture, stone, urban planning, and sustainable development onto a common platform. Organized alongside India Stone Mart 2026, the festival is fostering direct dialogue and exchange of ideas among architects, policymakers, students, and professionals from the stone industry.

At the conclusion of the ceremony, CEDOS Chairman Shri Deepak Ajmera delivered the vote of thanks, expressing gratitude to all guests, speakers, organizers, partner institutions, and participants, and sincerely thanked everyone for making the event a success.